Willow fish project

April 22nd, 2013

As part of the AONB ‘Changing Landscapes’ project in the Stour Valley (Suffolk), I was invited to run a workshop last Saturday. 

The workshop participants used materials from the landscape weaving them into a large fish.  The fish represented
a)  the ‘unseen’ segment of the landscape
b)  the Stour Valley which inspired both Sir Alfred Munnings and Constable
c) the current work that the AONB have been undertaking in controlling invasive plant species
d) the sensitivity of the aquatic enviornment to change

It was a fantastic day, full of laughter, creativity and sunshine.

for more information about the Apricot Centre visit
www.apricotcentre.co.uk

Universityof Bath landscape

April 12th, 2013

Clipped, undulating and densely planted with trees, the size of a village and the population of a town, this is the University of Bath campus today.  A man made landscape that I still recognise 30 years on although the infrastructure has morphed and grown as numbers of students have quadrupled.

I fleetingly wish I had taken photographs 30 years ago to compare with today but 30 years growth doesn’t make that much difference visually in a landscape where trees are the dominant component.  Here trees are packed into small courtyards, they clothe buildings, they spring up through the main campus concourse from a lower ground level, they provide cool shade in the summer, filter the blustery wind of this elevated site, they help to reduce energy loss from buildings, provide wildlife habitat, they breath out oxygen and their roots hold the soil together where JCBs have been at work.

The trees on this campus, are mostly native species, they link with the landscape beyond, serve to enhance views from buildings and also reduce the impact of the buildings when viewed from the wider landscape.  There is even a section of woodland that has survived from before the university was conceived.  Large rocks, indicative of the geology of the site, are used sculpturally throughout the campus to create focal points, retaining walls and impromptu seating.

Originally the campus was designed as a cluster of academic teaching blocks and study bedrooms around a central concourse which separated pedestrians from vehicles.  The cluster of buildings, known as the ‘mega structure’, provided shelter from the exposed down land hill top and was designed to be approached from the south through the man made ‘parkland’ landscape.  50 years on, buildings have expanded in all directions creating a central ‘parkland area’ to the campus with woodland fingers reaching in from the perimeter.  

Tough, reliable, functional, easy to maintain although relatively unexciting shrubs such as Berberis, Lonicera pileata, Symphoricarpus, Cornus, Pyracantha, Hedera and Prunus ‘Otto Luyken’ are clipped into hedges and mounds to define areas, provide ground cover under trees, line roads and paths…  Swaths of spring bulbs bring the contoured mounds to life in spring whilst some of the newer landscaped areas use plants which reflect modern trends (e.g. grasses) and the campus holds the National Collection of Taxus which was laid out in the central parkland area about 30 years ago by Bill Bowen.    However there is one bed which, to my mind stands out as rather out of place or dated, it is a bed of winter flowering heathers close to the lake.  I am assuming this bed is a nod to the early days particularly as it is along the original path leading up to the main concourse from the south.

 

What I like about this campus is that the essence of the central parkland area has remained unchanged, which is important for returning alumni.  I like the density of tree planting, the use of rocks, the great swaths of bulbs and the mounds at the eastern end of the campus.   

The mounds add height, obscure views, create bunds to slow water flow thus helping to avoid flooding and to allow natural seepage into underground water systems, in my mind they create intrigue and interest by blurring sightlines.  It must be said however that blurring sightlines isn’t always desired in a public landscape as it calls for reliance on adequate and accurate signage which can in turn detract from the landscape.

The future

This is a dynamic landscape and as such one mustn’t get too sentimental, for example when I visited recently I saw that approximately 200 trees had been felled, long rows of stumps in a large car park which has been earmarked for new accommodation.

The plans for the future of the campus are laid out in a comprehensive master plan document (see below) which makes interesting reading.  It emphasises that the parkland campus is a great asset to the university, providing cycle routes and a network of paths for recreational use, there is even a map showing ‘lunchtime walks’.

Refs:

http://www.bath.ac.uk/estates/Masterplan%202020/Masterplan%202009%20to%202020%20Final%20Report.pdf
http://www.bath.ac.uk/estates/Masterplan%20Final%201.pdf  http://www.studyco.com/images/pdf/1663_4286779.pdf

Dragons eggs by the fire

March 27th, 2013

First the dragon, then the nests now the eggs…  The Bishops Palace in Wells has commissioned me over the past 3 years to weave a 12 meter long dragon, two large nests and now 5 special dragon’s eggs.  The dragon is hidden in the arboretum at the Palace and forms the end point to a children’s dragon trail. 

The date has been in the diary a long time so today I put on all my warmest clothes, hats, gloves, extra socks… and set off with some trepidation to work outdoors in the arboretum – willow weaving and arctic weather conditions do not go well together.  The Palace provided me with two eager volunteers to help with the weaving, we all put on a brave face but only lasted 90 minutes before the cold got to our bones.  We were then installed in the Palace entrance hallway in front of a crackling fire – what bliss!  

Thank you Pam and Sheila for your help with the weaving.

Garden design in Somerset

March 5th, 2013

The winter months are a perfect time to plan a garden. During the last 4 months I have spent many days at my drawing board whilst the rain beat against the window and the gardens across Somerset lay water logged.  I have of course on occasion got wet; site visits, rain coats and muddy boots are a part of the job however it is best to keep off wet soil (as its delicate soil structure is easily damaged) so having a desk full of projects was perfect. 

Recent projects include a wonderful large private garden in Devon, a corporate design and build around a new health centre and three small private gardens in the Blagdon and Wells areas. 

I love the early stages of the design process, working to the brief whilst setting my imagination free, experimenting with ideas, shapes and form to produce a series of concepts for each client.  Working up the concept sketches into final  drawings is more detailed work, slower, more intense but most satisfying.  Of the above projects, one is complete (built, planted and growing), 2 are in progress (sites cleared, levelled, water features being installed) and 2 are waiting for the landscapers to begin work.

Now that we have had a couple of dry weeks, I am torn between my drawing board and my own garden.  At least the days are now getting longer so I will be able to snatch the odd hour here and there and be able to keep everyone happy!



A new cider orchard for Somerset – Pylle

March 5th, 2013

The third and final phase of planting my 3 acre cider orchard is complete.  The last 2 weeks of dry weather arrived just in time to allow me to plant the last 150 bare root trees, this brings the grand total to 490 trees in my orchard.

I am growing 10 varieties, a mix of bitter sweets, sharps and bitter sharps, these are new cider varieties resulting from a breeding programme, led by Pomologist Liz Copaz, at Long Ashton Research Station in the 1980′s .  These new varieties have been bred for better disease resistance (particularly apple scab), earlier cropping (therefore extending the cider making season), more reliable cropping (as traditional varieties tend to become biennial croppers), and for bigger and juicier fruit!

Planning the orchard was a big task, I had so many decisions to make all of which would have very long lasting effects: which varieties, which rootstocks and what spacing.  Phase I  of the orchard (winter 2010/11) is planted on M106 rootstocks  but I then decided that maybe MM111 would be more appropriate to the clay soil, this was the great advantage of planting in phases – learning from mistakes / acquiring more knowledge.

I have planted at an in-row spacing of 4m with 5m between the rows.  All the trees have established well which is down to the excellent plants grown by John Worle, the use of mycorrhizal fungi and mulching at planting.  Trees are staked and protected with vole guards (which also act against rabbits).

Next month once flowering begins, weekly orchard visits will be vital for early detection of any pest and disease problems. 

The fruit from this orchard is being grown for Pilton Cider, a naturally sparking keeved cider which I defy you not to like!

Moorwood Art goes to Hereford

March 5th, 2013

This is the culmination of 7 days of weaving and gathering.  Vine prunings from the local vineyard at Wraxall, wild clematis, hazel, Virginia creeper, ash twigs and dogwoods have all been carefully woven into these willow balls to celebrate Nature’s winter colours and textures. 

All the materials, with the exception of wild clematis, form part of an annual maintenance operation; vineyard maintenance, hedgerow cutting prior to bird nesting, coppiced garden dogwoods and tidying of potentially over vigourous house creeper. 

I love the grooved grey stems of wild clematis, for this I have to go to the woods where it happily climbs up from the forest floor and into the canopy of coppiced hazel.  Foresters consider it a weed as it makes felling a tangled and difficult mess as well as cutting out light from coppiced stools.  It does however provide access to tiny creatures such as doormice up into the woodland canopy.  Sustainable harvesting is necessary however it is a very vigorous climber.

I was asked to make these balls for an exhibition that starts next weekend, they will be suspended from the beams in a barn which should look stunning!  They look great indoors, a conservatory or outdoors where I find that birds usually build nests in them,  I have nick-named them ‘birds nest sculptures’.

Moorwood Art, The Carpenter’s Shop, Whitfield House, Whitfield, Hereford HR2 9BA
Open Saturday 9th and Sunday 10th March 2013
10.00am – 1.00pm and 3.00pm – 5.00pm
11th, 12th and 13th March (by appointment only)

Willow den – Essex

February 24th, 2013

Essex based landscapers, TCL Arbscapes, commissioned me to make a willow den for one of their projects.  I spent a couple of freezing days working in the garden, the hens kept me company as they took a surprising level of interest in the structure!

Willow Dens – Croscombe

February 21st, 2013

The children at Croscombe Primary School spent 3 days helping make 3 large willow dens.  They worked in pairs, during short sessions, to carefully weave the sides of each den.  Despite the freezing spell of weather, the sun made an appearance which helped warm cold little fingers whilst teachers, assisted by some parents, ensured that no one got too cold by providing warm mugs of hot chocolate. 

The dens are made from living willow hence the need to make them during the cold winter months.  I imagine roots will already be taking root and shortly the dens will show signs of green shoots.

Glastonbury Health Centre

February 14th, 2013

The garden is built!  It was a tricky one which involved closing off footpaths, lifting a mini digger and  27 tons of topsoil over a 6 foot wall.  However the roses are in and the beds are mulched, all we need now is a glorious summer for the Rosa ‘de Rescht’ to fill the air with scent.

Winter weaving for your garden

February 1st, 2013

A couple of pictures from the last two workshops I have led at Castle Gardens garden centre in Sherborne.

What lovely creations for the garden!