Archive for the ‘garden design’ Category

Universityof Bath landscape

Friday, April 12th, 2013

Clipped, undulating and densely planted with trees, the size of a village and the population of a town, this is the University of Bath campus today.  A man made landscape that I still recognise 30 years on although the infrastructure has morphed and grown as numbers of students have quadrupled.

I fleetingly wish I had taken photographs 30 years ago to compare with today but 30 years growth doesn’t make that much difference visually in a landscape where trees are the dominant component.  Here trees are packed into small courtyards, they clothe buildings, they spring up through the main campus concourse from a lower ground level, they provide cool shade in the summer, filter the blustery wind of this elevated site, they help to reduce energy loss from buildings, provide wildlife habitat, they breath out oxygen and their roots hold the soil together where JCBs have been at work.

The trees on this campus, are mostly native species, they link with the landscape beyond, serve to enhance views from buildings and also reduce the impact of the buildings when viewed from the wider landscape.  There is even a section of woodland that has survived from before the university was conceived.  Large rocks, indicative of the geology of the site, are used sculpturally throughout the campus to create focal points, retaining walls and impromptu seating.

Originally the campus was designed as a cluster of academic teaching blocks and study bedrooms around a central concourse which separated pedestrians from vehicles.  The cluster of buildings, known as the ‘mega structure’, provided shelter from the exposed down land hill top and was designed to be approached from the south through the man made ‘parkland’ landscape.  50 years on, buildings have expanded in all directions creating a central ‘parkland area’ to the campus with woodland fingers reaching in from the perimeter.  

Tough, reliable, functional, easy to maintain although relatively unexciting shrubs such as Berberis, Lonicera pileata, Symphoricarpus, Cornus, Pyracantha, Hedera and Prunus ‘Otto Luyken’ are clipped into hedges and mounds to define areas, provide ground cover under trees, line roads and paths…  Swaths of spring bulbs bring the contoured mounds to life in spring whilst some of the newer landscaped areas use plants which reflect modern trends (e.g. grasses) and the campus holds the National Collection of Taxus which was laid out in the central parkland area about 30 years ago by Bill Bowen.    However there is one bed which, to my mind stands out as rather out of place or dated, it is a bed of winter flowering heathers close to the lake.  I am assuming this bed is a nod to the early days particularly as it is along the original path leading up to the main concourse from the south.

 

What I like about this campus is that the essence of the central parkland area has remained unchanged, which is important for returning alumni.  I like the density of tree planting, the use of rocks, the great swaths of bulbs and the mounds at the eastern end of the campus.   

The mounds add height, obscure views, create bunds to slow water flow thus helping to avoid flooding and to allow natural seepage into underground water systems, in my mind they create intrigue and interest by blurring sightlines.  It must be said however that blurring sightlines isn’t always desired in a public landscape as it calls for reliance on adequate and accurate signage which can in turn detract from the landscape.

The future

This is a dynamic landscape and as such one mustn’t get too sentimental, for example when I visited recently I saw that approximately 200 trees had been felled, long rows of stumps in a large car park which has been earmarked for new accommodation.

The plans for the future of the campus are laid out in a comprehensive master plan document (see below) which makes interesting reading.  It emphasises that the parkland campus is a great asset to the university, providing cycle routes and a network of paths for recreational use, there is even a map showing ‘lunchtime walks’.

Refs:

http://www.bath.ac.uk/estates/Masterplan%202020/Masterplan%202009%20to%202020%20Final%20Report.pdf
http://www.bath.ac.uk/estates/Masterplan%20Final%201.pdf  http://www.studyco.com/images/pdf/1663_4286779.pdf

Garden design in Somerset

Tuesday, March 5th, 2013

The winter months are a perfect time to plan a garden. During the last 4 months I have spent many days at my drawing board whilst the rain beat against the window and the gardens across Somerset lay water logged.  I have of course on occasion got wet; site visits, rain coats and muddy boots are a part of the job however it is best to keep off wet soil (as its delicate soil structure is easily damaged) so having a desk full of projects was perfect. 

Recent projects include a wonderful large private garden in Devon, a corporate design and build around a new health centre and three small private gardens in the Blagdon and Wells areas. 

I love the early stages of the design process, working to the brief whilst setting my imagination free, experimenting with ideas, shapes and form to produce a series of concepts for each client.  Working up the concept sketches into final  drawings is more detailed work, slower, more intense but most satisfying.  Of the above projects, one is complete (built, planted and growing), 2 are in progress (sites cleared, levelled, water features being installed) and 2 are waiting for the landscapers to begin work.

Now that we have had a couple of dry weeks, I am torn between my drawing board and my own garden.  At least the days are now getting longer so I will be able to snatch the odd hour here and there and be able to keep everyone happy!



Moorwood Art goes to Hereford

Tuesday, March 5th, 2013

This is the culmination of 7 days of weaving and gathering.  Vine prunings from the local vineyard at Wraxall, wild clematis, hazel, Virginia creeper, ash twigs and dogwoods have all been carefully woven into these willow balls to celebrate Nature’s winter colours and textures. 

All the materials, with the exception of wild clematis, form part of an annual maintenance operation; vineyard maintenance, hedgerow cutting prior to bird nesting, coppiced garden dogwoods and tidying of potentially over vigourous house creeper. 

I love the grooved grey stems of wild clematis, for this I have to go to the woods where it happily climbs up from the forest floor and into the canopy of coppiced hazel.  Foresters consider it a weed as it makes felling a tangled and difficult mess as well as cutting out light from coppiced stools.  It does however provide access to tiny creatures such as doormice up into the woodland canopy.  Sustainable harvesting is necessary however it is a very vigorous climber.

I was asked to make these balls for an exhibition that starts next weekend, they will be suspended from the beams in a barn which should look stunning!  They look great indoors, a conservatory or outdoors where I find that birds usually build nests in them,  I have nick-named them ‘birds nest sculptures’.

Moorwood Art, The Carpenter’s Shop, Whitfield House, Whitfield, Hereford HR2 9BA
Open Saturday 9th and Sunday 10th March 2013
10.00am – 1.00pm and 3.00pm – 5.00pm
11th, 12th and 13th March (by appointment only)

Glastonbury Health Centre

Thursday, February 14th, 2013

The garden is built!  It was a tricky one which involved closing off footpaths, lifting a mini digger and  27 tons of topsoil over a 6 foot wall.  However the roses are in and the beds are mulched, all we need now is a glorious summer for the Rosa ‘de Rescht’ to fill the air with scent.

Awkward spaces – Glastonbury

Wednesday, December 12th, 2012

This is an interesting low budget project around a new public building, the garden spaces are to be looked at by users of the building rather than to be sat in.  Environmental benefits of the design include:

Use of recycled materials

  • Screened, recycled topsoil (& recycled crushed concrete) to make up levels / replace that taken from site during construction
  • Organic woodchip mulch to naturally control and deter weeds 

 Use of natural materials

  • Softwood sleepers (FSC certified) to define the beds / design throughout the winter months
  • Plants chosen to attract and support wildlife (e.g. insects and birds)

 Plants have been selected to offer

  • A long season of flowering (repeat flowering Rosa de Rescht, Cyclamen coum, C. hederifolium and Pyracantha)
  • Scent over a long season (Rosa de Rescht)
  • Food for wildlife (berries, nectar & pollen)
  • Winter interest (Cyclamen, Pyracantha and Malus ’Red Sentinel’)
  • Habitat for wildlife (trees and wall trained Pyracantha)

 Attracting wildlife

  • According to the BUGS survey at Sheffield University trees contribute significantly to biodiversity in an urban setting e.g. habitat, food, shelter.  Two trees have been incorporated into the design
  • Wall shrubs provide habitat, food, shelter, nesting sites
  • Willow wall mounted sculpture – my outdoor willow sculptures frequently attract nesting birds  

Design relating to the local landscape
Malus ‘Red Sentinel’, a crab apple, links to the cider tradition of the area
The willow sculpture is made from Somerset willow

 

Biodiversity garden – Malmesbury

Wednesday, October 24th, 2012

A new timber framed house set amid a heritage orchard and a flowering meadow – the garden is modest in size and draws heavily on its natural setting . It is required to be low maintenance, therefore borders are kept small (although they are exuberantly planted), raised vegetable beds, a green house and herb growing area have been essential elements in the brief.  Low stone walls add interest and overwintering sites for all stages of insect life cycles, amphibians, etc…

It has been a delight working with these clients.

A carbon zero garden

Sunday, September 2nd, 2012

A show garden is one of those totally unrealistic and exhausting projects that must be built in a week in all weathers only to be dismantled 3 days later! It is the sort of thing that I usually try to avoid however this time the show was very local to me, I used all recycled materials and the garden brought together design, horticulture, willow and willow weaving.   It was a garden commissioned by the Royal Bath and West  Society.

The garden was designed as an inspiring work space for willow weaving workshops as well showing off some well designed raised beds using locally reclaimed timber.  It was a carbon zero garden on account of its recycled materials, its locality, the fact that I grew the plants myself (these were mostly coppiced willows) and that everything would be reused again.

The garden was well received and it was a great show!

Willow and garden design

Tuesday, July 24th, 2012

Garden design, plants and willow weaving are my passion.  Brought up in a family of artists, I trained in horticulture and my enthusiasm for plants and design eventually nudged me up against the world of willow weavers.   

Willow is the perfect renewable material, it grows happily throughout the UK and there are many simple weaves which are easy to master.  Creating willow structures in your garden is a great outlet for your creativity and if you have your own source of willow you need not feel restrained!  I love growing willow as it is beneficial to much insect life and its winter stems add valuable colour to the garden through the winter months.

I have just completed some willow screens which I feel add a gentle dynamism to borders, they can be moved around to sit in gaps and used as a backdrop to existing plants.

David Nash at Kew Gardens

Thursday, June 28th, 2012

 Nash’s sculptures for gardens
 Giant eucalyptus logs

 Cork bark

 Charred oak block

The Grove Hotel – Watford

Thursday, June 7th, 2012

Three crafts – art, design and fine horticulture

I consider it part of my job to occasionally venture out from my Somerset garden design practice so last weekend I visited The Grove Hotel in Watford.   I first visited the garden soon after it opened about 10 years ago but what exciting changes have taken place since then!  Set in a leafy corner of Hertfordshire, this young garden has taken on an impressive air of maturity.

The original specimen trees with their gnarled bark and the old kitchen garden walls with their fan trained fruit are an important backdrop to the garden however the site has been completely redesigned to create a luxury hotel with 227 rooms complete with an 18 hole golf course.  This means 100’s of users on a daily basis, structure is everything in a garden of this sort. 

Car parks are screened at eye level with hedges and from upstairs windows with topiary and pleached hornbeam. 

Downstairs bedrooms rooms and outdoor seating areas are offered a suggestion of privacy using crisply clipped yew where the play of light and shadow add further interest.  Formal and relatively low maintenance these living walls soften the harsher architecture.

Box, hornbeam, yew and Magnolia are all used to create shelter, backdrops, illusions of seclusion, frame views, sub division of space, they direct your eye, hide surprises, edge paths…  Herbaceous perennials are used boldly in blocks, possibly more for their foliage than for their flowers, fresh shades of green against dark structural yew.  Splashes of colour enliven borders as flower come and go whilst the seasonal sculpture exhibition set within the garden beds and borders add drama and fun.

This is not a cheap garden, specimen plants have been used, there is permanent irrigation hidden within the beds and the horticultural skill and maintenance is excellent.

Gardens designed by Michael Balston